Join us Wednesday, February 8 at 10am as we welcome Iman Djouini to the Printmkaing Dept. Djouini is a MICA Alumna, and she received her MFA in Printmaking from Tulane University.
Djouini’s work combines print-specific processes, investigating design elements such as binary opposition, compartmentalization, and delineation, all while referenceing contested cultural and political histories. More of her work is available to view on her website, http://imandjouini.com/.
This lecture is open to anyone.
Wednesday February 8, 10am
Printmaking Dept., 1515 Building
Screenprinting Studio, #U103.
Department — KVH @ 12:02 pm, Thursday, October 27th, 2016
The Printmaking Department is co-sponsoring Allison Saar, visiting Artist in Residence at MICA next week. She will be giving a lecture on Monday, October 31 @ 4PM in the Lazarus Center Auditorium, and will visit with Printmaking Department Seniors during her stay. More of her work is available on her gallery’s website.
Alison Saar was born in Los Angeles, California. She studied art and art history at Scripps College and received an MFA from the Otis Art Institute. Saar received the United States Artist Fellowship in 2012 and has also been awarded the John Simon Guggenheim Memorial Foundation Fellowship and two NEA Fellowships and has exhibited at many galleries and museums, including The Contemporary, the Hirshhorn Museum and Watts Towers Arts Center. Her art is represented in the collections of the Whitney Museum, Baltimore Museum of Art, MoMA, and the Met.
Department — KVH @ 1:52 pm, Thursday, April 28th, 2016
Below is a list of information for the end of the semester. Because of the Printmaking Dept. move this Summer, this info will be very different from previous years’ info.
The last day of classes is Friday, May 6.
The last day to work in the studios is the night of Thursday, May 5. Studio supplies will be pulled from the studio and put away on Friday morning.
The last day to access Dolphin is Sunday, May 8th at 7pm. This Saturday & Sunday access is for clean-out only. Studios are not available for working in.
All student drawers must be emptied. All student lockers must be emptied.THIS IS FOR ALL MAJORS, ALL CONCENTRATORS, EVERYONE.
All personal screens should be taken home.
In Bookarts: All student drawers should be emptied for the summer to make room for Summer Classes.
Seniors Majors have extended access to Dolphin through Graduation, but must have all drawers, lockers, and studios vacated by Tuesday, May 17th.
Absolutely no student work or screens will be stored for the summer. NO EXCEPTIONS.
If you have a friend who is not taking classes this semester for any reason (study abroad, etc), and they have drawers or lockers in Dolphin, have them email Kyle: email@example.com. If they do not, their materials will be thrown away.
Printmaking is closed for the the duration of the summer. We will reopen in the fall in our new location, 1515 W. Mount Royal Ave.
Questions, please let us know!
Enjoy your finals, you’re almost done. Don’t stop now!
Department — faculty @ 12:14 pm, Wednesday, March 23rd, 2016
CURATORIAL PRINT / Annual Printmaking Department Exhibition
Maryland Institute College of Art / Rosenberg Gallery
March 22nd – April 3rd, 2016
Please join us for the opening reception: March 25th, 6:30-9 PM
Curated by William Chapman, Ariell Elza, Roman Finkelstein, Alexandra Harmel, Claudia Heitner, Rebecca Herr, Jovana Ivezic, Dasom Kim, Isabel Rosen-Hamilton, Terron Sorrells
Curatorial Print is an exhibition curated by printmakers for printmakers. In previous years, Maryland Institute College of Art’s Print Department has invited guest curators to select work for the exhibition. This year the senior class has taken the reins. We believe that printmaking is about watching, listening, and learning from each other. This is the last year that students studying print media will work in the Dolphin building which has been the home to everything print for decades. In striving to emphasize a diverse network of students who are engaged in a myriad of process, each senior has chosen different methods of curation to draw on various aspects of our active print community. Selection took many forms from students contacting seniors and networking, to studio drawers opened and late night visits after hours for a glimpse of new work in production. As the last senior class to graduate from the Dolphin Building, it is important to us to leave our mark on the Print Department as a whole. With Curatorial Print, we hope to create a new tradition that will be carried on by future senior classes in years to come.
Department — faculty @ 2:32 pm, Wednesday, March 2nd, 2016
On Thursday March 10 at 6pm in the Lazarus Center Auditorium, Ann Kalmbach and Tatana Kellner, co-founders of the Women’s Studio Workshop, will perform a joint lecture about the history and mission of this important organization and it’s many diverse activities, including publishing, teaching, public art events, art farm and residency programs.
On Friday March 11 at 9:30am in the Lithography Studio of the Dolphin Building, Ann and Tana will be presenting a series of books from their extensive publishing history.
Please join us! Both events are open to the public.
Department — faculty @ 3:10 pm, Monday, February 29th, 2016
Please join us for a lecture by artist and writer Luis Camnitzer.
Wed, March 2, 10am Lazarus Center Auditorium,
Co-sponsored by Critical Studies MA, Printmaking BFA, Mixed Media Lecture Series
Luis Camnitzer (born 1937) is a German-born Uruguayan artist and writer who moved to New York in 1964. In 1964, he founded the New York Graphic Workshop with artists Liliana Porter and José Guillermo Castillo, and in 1971 helped establish New York’s Museo Latinoamericano, and a splinter group, Movimiento de Independencia Cultural de Latino América (MICLA). Camnitzer’s work investigates how art history is written by those in power, and tends to exclude certain accounts.
Camnitzer’s work is in the permanent collections of Museum of Modern Art, Metropolitan Museum of Art, New York; Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; Museo Nacional Centro de Arte Reina Sofia, Madrid; Museum of Fine Arts, Houston, TX; Tate, London; Museo de Arte Latinoamericano de Buenos Aires, Argentina; and Daros Latinamerica Collection, Zurich; among others. He was the recipient of the Guggenheim Fellowships on two occasions, 1961 and 1982. In 2012 he was awarded the United States Artists Fellow Award.