»MICA's Undergrad Printmaking Dept's day-to-day…

End of Semester info!

Department — KVH @ 1:52 pm, Thursday, April 28th, 2016

Below is a list of information for the end of the semester. Because of the Printmaking Dept. move this Summer, this info will be very different from previous years’ info.

The last day of classes is Friday, May 6.

The last day to work in the studios is the night of Thursday, May 5. Studio supplies will be pulled from the studio and put away on Friday morning.

The last day to access Dolphin is Sunday, May 8th at 7pm. This Saturday & Sunday access is for clean-out only. Studios are not available for working in.

All student drawers must be emptied. All student lockers must be emptied. THIS IS FOR ALL MAJORS, ALL CONCENTRATORS, EVERYONE.

All personal screens should be taken home.

In Bookarts: All student drawers should be emptied for the summer to make room for Summer Classes.

Seniors Majors have extended access to Dolphin through Graduation, but must have all drawers, lockers, and studios vacated by Tuesday, May 17th.

Absolutely no student work or screens will be stored for the summer. NO EXCEPTIONS.

If you have a friend who is not taking classes this semester for any reason (study abroad, etc), and they have drawers or lockers in Dolphin, have them email Kyle: kvanhorn@mica.edu. If they do not, their materials will be thrown away.

Printmaking is closed for the the duration of the summer. We will reopen in the fall in our new location, 1515 W. Mount Royal Ave.

Questions, please let us know!

Enjoy your finals, you’re almost done. Don’t stop now!



POSE IS HERE!!!!!!!!!!!!!!!!!!!!!!!

Department — faculty @ 2:39 pm, Tuesday, April 5th, 2016

POSE-poster



Curatorial Print / Annual Printmaking Department Exhibition

Department — faculty @ 12:14 pm, Wednesday, March 23rd, 2016

CURATORIAL PRINT / Annual Printmaking Department Exhibition

Maryland Institute College of Art / Rosenberg Gallery

March 22nd – April 3rd, 2016

Please join us for the opening reception: March 25th, 6:30-9 PM

Curated by William Chapman, Ariell Elza, Roman Finkelstein, Alexandra Harmel, Claudia Heitner, Rebecca Herr, Jovana Ivezic, Dasom Kim, Isabel Rosen-Hamilton, Terron Sorrells

Curatorial Print is an exhibition curated by printmakers for printmakers. In previous years, Maryland Institute College of Art’s Print Department has invited guest curators to select work for the exhibition. This year the senior class has taken the reins. We believe that printmaking is about watching, listening, and learning from each other.  This is the last year that students studying print media will work in the Dolphin building which has been the home to everything print for decades.  In striving to emphasize a diverse network of students who are engaged in a myriad of process, each senior has chosen different methods of curation to draw on various aspects of our active print community. Selection took many forms from students contacting seniors and networking, to studio drawers opened and late night visits after hours for a glimpse of new work in production. As the last senior class to graduate from the Dolphin Building, it is important to us to leave our mark on the Print Department as a whole. With Curatorial Print, we hope to create a new tradition that will be carried on by future senior classes in years to come.      

 – Isabel Rosen-Hamilton and William Chapman

 

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Image by Dasom Kim

 



Lecture and Presentation: Ann Kalmbach and Tatana Kellner from the Women’s Studio Workshop

Department — faculty @ 2:32 pm, Wednesday, March 2nd, 2016

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On Thursday March 10 at 6pm in the Lazarus Center Auditorium, Ann Kalmbach and Tatana Kellner, co-founders of the Women’s Studio Workshop, will perform a joint lecture about the history and mission of this important organization and it’s many diverse activities, including publishing, teaching, public art events, art farm and residency programs.

 

On Friday March 11 at 9:30am in the Lithography Studio of the Dolphin Building, Ann and Tana will be presenting a series of books from their extensive publishing history.

Please join us! Both events are open to the public.



Luis Camnitzer Lecture: Wed March 2 at 10am

Department — faculty @ 3:10 pm, Monday, February 29th, 2016

Please join us for a lecture by artist and writer Luis Camnitzer. 

Wed, March 2, 10am Lazarus Center Auditorium,

Co-sponsored by Critical Studies MA, Printmaking BFA, Mixed Media Lecture Series

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Luis Camnitzer (born 1937) is a German-born Uruguayan artist and writer who moved to New York in 1964. In 1964, he founded the New York Graphic Workshop with artists Liliana Porter and José Guillermo Castillo, and in 1971 helped establish New York’s Museo Latinoamericano, and a splinter group, Movimiento de Independencia Cultural de Latino América (MICLA). Camnitzer’s work investigates how art history is written by those in power, and tends to exclude certain accounts.

Camnitzer’s work is in the permanent collections of Museum of Modern Art, Metropolitan Museum of Art, New York; Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; Museo Nacional Centro de Arte Reina Sofia, Madrid; Museum of Fine Arts, Houston, TX; Tate, London; Museo de Arte Latinoamericano de Buenos Aires, Argentina; and Daros Latinamerica Collection, Zurich; among others. He was the recipient of the Guggenheim Fellowships on two occasions, 1961 and 1982. In 2012 he was awarded the United States Artists Fellow Award.



Isabel Rosen-Hamilton and Gabriella Grill at Ballroom Gallery!

Department — faculty @ 8:58 am, Friday, February 26th, 2016

Opening next weekend… March 4 2016 7pm-10pm!

in conjunction with ALLOVERSTREET

Ballroom Gallery / Copycat B202

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Paul Laidler / Andy Super Lecture

Department — faculty @ 3:48 pm, Tuesday, February 9th, 2016

Please join us for a joint lecture by Dr. Paul Laidler and Andy Super.

WED FEB 10 AT 6PM

IN THE LAZARUS CENTER AUDITORIUM

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Dr Paul Laidler is a Senior Research fellow at the Centre for Fine Print Research (CFPR) and Senior Lecturer in BA (Hons) Illustration and MA Multi-disciplinary Printmaking. His research explores the impact of digital technology within the field of fine art printmaking, focusing on the advantages of using the traditional collaborative print studio model when generating and archiving digital print data for a specific artist.

Andrew Super is an American artist whose work is grounded in an exploration of time – specifically how little bits of time come to be understood as personal, cultural, or historical moments. He received a BFA in Studio Art from Pittsburg State University and an MFA in Imaging Arts and Science from the Rochester Institute of Technology.

 

 



PR Department Student Meeting

Department — faculty @ 11:20 am, Wednesday, February 3rd, 2016

 

 

Dept Meeting

 

 



End of Fall Semester, 2015

Department — KVH @ 1:55 pm, Thursday, December 10th, 2015

The Dolphin Building closes this Friday, Dec. 18th, at 7PM. 

Please read the following info regarding winter break policies:

Current Majors & Concentrators who are returning to Dolphin in January may keep their current drawers.

EVERYONE ELSE, regardless of what Printmaking Classes they are taking in the Spring, MUST EMPTY THEIR DRAWERS.

All screenprinting lockers must be emptied.

All personal screens must be taken home.

And finally, ANY MAJORS or CONCENTRATORS who are not returning to Dolphin in the spring for any reason (study abroad, time away from campus, etc) should empty their drawers now. ALL STUDENT DRAWERS will be emptied this coming May (Majors, Concentrators, everyone). If they don’t empty drawers now, and don’t return until Fall ’16, their prints & supplies will be thrown away.

The last day to work in the studios is Thursday, Dec. 17th.
The last day to access the Dolphin is Friday, Dec. 18th @7pm.
The building is closed for the duration of winter break. Students may return to Dolphin when classes resume.

Thanks all!



Visiting Artist George Walker

Department — KVH @ 2:30 pm, Monday, November 16th, 2015

Join the Printmaking Department in welcoming George Walker, Artist, Printmaker, and Master Wood Engraver, and author, hailing from Ontario, CA.

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George Walker is an Associate Professor in Bookarts at the Ontario College of Art & Design and a member of the Royal Canadian Academy of Arts. He is the author of The Woodcut Artist’s Handbook: Techniques & Tools for Relief Printmaking. He is the owner of Biting Dog Press, and the graphic novel acquisitions editor for the Porcupine’s Quill.

George Walker will be presenting his work and lecturing in Dolphin 104 (Lithography) on Friday, Nov. 20th at 10AM.



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